| LEC # | TOPICS | READINGS | |
|---|---|---|---|
| Unit One: First Essay; Writing Focus: Personal Narrative | |||
| 1 | Intro to the Class as a Writing Community Writing about Social and Ethical Issues | ||
| 2 | Reasons to Believe: The Roots of Ethical and Social Values Introducing Personal Essays | In Writing for Change: Edelman, Marion Wright. "A Family Legacy." pp. 24-30. | |
| 3 | Reasons to Believe and Act | ||
| 4 | Developing and Sustaining Ethical and Social Values The Personal Essay: Crafting Engaging and Effective Introductions | In Writing for Change: Kennedy, John F. "Inaugural Address." pp. 89-92. Buckley, William F. "A Call to Arms." pp. 125-133. King, Martin Luther, Jr. "A Letter From Birmingham Jail." pp. 285-299. Alexander, P. W. "Christmas At Home." pp. 100-103. Taylor, Jeremy. "Service Learning: Education with a Purpose." pp. 193-199. Film Clips: Eyes on the Prize. | |
| 5 | The Writer as Social Activist: A Literary Tradition | ||
| 6 | Writing Workshop, Draft Essay 1; The Craft of Revision | ||
| Unit Two: Second Essay; Writing Focus: Investigative Essay/Comparative Analysis | |||
| 7 | Representing Social Issues and Problems; Images | ||
| 8 | Narratives of Poverty and Homelessness | Dickens, Charles. A Christmas Carol. (Selection) Kozol, Jonathan. "Are the Homeless Crazy?" In Writing For Change: Marin, Peter. "Helping and Hating the Homeless…." pp. 270-283. Film Clip: A Christmas Carol | |
| 9 | The Writer as Witness, Participant and Investigator: Inside the World of Poverty and Low-wage Labor | Ehrenreich, Barbara. Nickel and Dimed: On Not Getting By in America. (Excerpt) Film Clip: America and Lewis Hine. | |
| 10 | The Writer as Interpreter of Social Issues: The Value Of Comparative Analysis: Research Strategies | ||
| 11 | Writers Engage With Media Culture and Beauty Imagery | In Writing For Change: (student essay) Morgan, Amanda. "When Beauty Is the Beast." pp. 356-363. Film: Killing Us Softly 3 | |
| 12 | Writers Address Contemporary Debates: Race, Gender and Issues of Equality Approaches to Comparative Analysis: Options in Introductions/Conclusions | In Writing For Change: Takaki, Ronald. "Breaking Silences: Community of Memory." pp. 219-232. Faludi, Susan. "Blame It on Feminism." pp. 238-250. | |
| 13 | Writers Confront Contemporary: Educational Inequality, Past and Present: Individual Portraits | In Writing For Change: Angelou, Maya. "Graduation." pp. 155-165. Kozol, Jonathan. "Corla Hawkins." pp. 176-181. Rose, Mike. "I Just Wanna Be Average." pp. 165-176. | |
| 14 | Writing Workshop, Draft, Essay 2 | ||
| Unit Three: Third Essay; Writing Focus: Investigative/Advocacy Essay | |||
| 15 | Writers as Investigators and Advocates: Modern Classics in the Literature of Social Change | Excerpts from: Friedan, Betty. The Feminine Mystique. Carson, Rachel. Silent Spring. Orwell, George. "Politics and the English Language." | |
| 16 | Reading Films Critically | Film: Girl, Interrupted. | |
| 17 | Writers Explore Contemporary Issues: Mental Health | Kaysen, Susanna. Girl, Interrupted. (Excerpt) In Writing for Change: Thompson, Tracy. "The Wizard of Prozac." pp. 347-356. Film: Mangold, James. Girl, Interrupted. | |
| 18 | Writers Define Contemporary Issues and Advocate Solutions: Education | In Writing for Change: Hirsch, E. D. "Cultural Literacy." pp. 188-193 | |
| 19 | View Dead Man Walking | Film: Dead Man Walking. | |
| 20 | Writers Debate Policy Issues: Capital Punishment Incorporating Personal and Public Voices | Film: Robbins, Tim. Dead Man Walking | |
| 21 | Writers Debate Policy Issues: Capital Punishment Incorporating Personal and Public Voices (cont.) | Film: Robbins, Tim. Dead Man Walking. | |
| 22 | Approaches To Advocacy | In Writing For Change: Randy Fitzgerald. "Owls Are Not Threatened, Jobs Are." pp. 419-423. Hamilton, Cynthia. "Women, Home and Community: The Struggles in an Urban Environment." pp. 412-418. | |
| 23 | Writers as Visionaries: Fiction as a Laboratory for Utopian Ideas and Dystopian Critiques | In Writing For Change: Callenbach, Ernest. "Ecotopia." pp. 440-446. | |
| 24 | Writers as Visionaries: Fiction as a Laboratory for Utopian Ideas and Dystopian Critiques | Excerpts: Huxley, Aldous. Brave New World. Orwell, George. 1984. Atwood, Margaret. The Handmaid's Tale. | |
| 25 | Revision Strategies for Advocacy Essays | ||
| 26 | Advanced Revision/Publication Workshop | ||
| 27 | Advanced Revision/Publication Workshop (cont.) | ||
| 28 | Presentations and Course Evaluation | ||
| 29 | Last Class: Celebration | ||
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